Category Archives: Workshops Classes Seminars

Wrapping up WITHIN ARM’S REACH…

I know I’ve been a bit silent on the blog lately…the combination of temporarily shifting the blog posts to the Rockethub page and the end of the show itself (followed by the post show depression that always accompanies that) have lead to a real dearth of posts here on our main blog. But, fear not, gentle readers. I’m back and with me so are the blog posts. SO, let me do a little wrap up on Within Arm’s Reach, and then I’ll get to what’s next.

As far as the wrap up is concerned, Within Arm’s Reach was a dream. Despite, a short tech (and a tall projection area), a big stage (and a small budget), too many technical cues (and too few technicians), a large cast (and a tiny dressing room…(I kid, the dressing room was nice sized for the group and had its own bathroom)), but seriously despite a bunch of things that seemed like they would be stumbling blocks to getting the show off the ground, the performances soared. I’m going to take a moment here to pat ourselves on the back  (and then I’ll return to the modest, humble, Jess that I know you all love) –  Molly and I did a damn fine job with the adaptation – capturing the spirit, mood and characters of the book. And, across the board, the cast was superb. They took these characters and ran with them, creating a moving study of 6 months in the lives of the McLaughlin Family. The designers, again working with very little time, (and even less money), brought the world vividly to life and did so with smiles on their faces. And directing this bunch – cast and crew – was a pleasure from top to bottom. I will also say that though there were stresses (there always are during tech) and though there were a couple of all-nighters (that’s to be expected with a 3 day tech) the tech “week” for Within Arm’s Reach was quite possibly the smoothest and most enjoyable I’ve ever experienced. And, because I can’t resist, I’m just going to mention that this was an all female creative team…short on time and money and absolutely no (zero, zip, zilch) strife…could it be the all female group? I leave it to you to be the judge…

So, yeah, the show went beautifully. We’re putting together a real photo array, but, in the meantime, for those of you who didn’t get a chance to see the show, below is a selection of production stills…

Do I wish we had had larger audiences? Yes, as always, yes. Do I wish we had been able to bring in a bit more money with the show? Again, yes, as always, yes. But I also know the world we’re in. I know that original work on the stage is tough to bring an audience to. I know that low budget means there isn’t always money for the massive publicity push of a larger show and so we’ll keep doing what we’re doing (the slowest of slow builds) and know that if the work is consistently good, eventually the audience will find us, and keep coming back…that and know that our next big payday we’re hiring the marketer of all marketers to get more butts in the seats!

Alas though, now this show is ended. The props have been stowed. The set pieces are safely ensconced in Molly and my apartments. The costumes have been cleaned and stored. The bills have been paid. …and the depression has set in for real…so now what? Now, Molly and I strategize about what’s next. While we are both working on projects separate from GTTP – Molly, on a workshop production of I, Salome by Joseph Samuel Wright and me on The Jane Games, the web series by Jennifer Teska and Laura Riley, that I’m directing (on which I’m about to jump into the editing stage) – we’re also planning what’s next for GTTP. As always, GTTP is moving forward – onward and upward to the next project. And that next theatrical production will most likely be a new movement/theater piece from Molly, hopefully to be performed in June and for me, I will soon be jumping (and taking GTTP with me) completely into Farm Story, GTTP’s first foray into web series production. If all goes according to plan, we will start filming in September. In addition to that, Molly and I are looking to do another round of workshops and hopefully a reading series of new plays. Stay tuned for details!!!

And, once again, because I didn’t say this yet in this specific blog post – THANK YOU, ALL!!! Thank you for supporting GTTP! Thank you for coming out to see our work. Thanks to everyone who made it out for Within Arm’s Reach. Thanks to everyone who donated on RocketHub and directly. Thank you for being a part of the GTTP Family. Without you all, GTTP would be nothing and me? I’d just be directing traffic…and seriously? That’s one thing I have no interest in directing.

State of the company…address(?)

So, I know the State of the Union Address usually comes in the beginning of the year, but I figured, (so as not to detract from the president’s speech), I’d jump in now and give everyone the state of things on our little island.

Last week we had our (now annual) ensemble meeting/holiday get together at GTTP. Wine was imbibed, snacks were eaten, and great philosophical discussions about the nature of theater were held (actually we just talked about what the year had brought and what the new year would bring). Regardless, it’s been an exciting and active 2013 for us. Here, are a couple of accomplishments (by the numbers).

21 – number of active ensemble members currently in the company

3 – number of shows GTTP produced in 2013 (Bella’s Dream, The Sandman’s Coming, and Cat Lady Without a Cat)

18 – number of actors employed in our shows during the year

23 – number of crew members employed in our shows during the year

3 – number of workshops held (directing, improv, audition)

1 – number of managing directors GTTP found to help run the company (yay, Molly!)

So that’s what the past year has held for GTTP. Now it’s time to sit down and ask, “where are we going” (or, as a favorite, canceled-too-soon, TV show would say quo vadamus – if you know the show, mention it in the comments and you’ll get a shout out on Facebook). So, where are we going? I’m glad you asked:

Cabaret – because of holiday travel plans, we’ve decided to move our cabaret from December 20th to a January or February weekend. Stay tuned for updates about our cure for the winter blues, our storytelling cabaret - GTTP Talks…Sex.

Within Arm’s Reach – everything is moving forward with our theatrical adaptation of Within Arm’s Reach, the novel by Ann Napolitano. We’re hoping to announce performance dates and space very soon. We’re currently in the process of holding crew interviews and Molly and I are deep into script revisions. Most likely we’ll be holding auditions in late January and will start rehearsals in early February. It is so exciting to see the play starting to develop…at least on the page, and we’re thrilled to soon be all-in on the production. More (many more) updates to come.

Social Media updates – some of you may have noticed we’ve started a regular Monday theater quote posting on Facebook, we’re getting better about weekly blog posts and we’re starting to run weekly Friday GTTP tweets. That’s right, my peeps, we are all over the interwebs. We’re also hoping to bring back the Tahiti Dispatches (our home grown, locally sourced, podcast), so like us on Facebook, subscribe to our blogfollow us on twitter, and keep a eye out for podcast updates.

Updated website – and, last but not least, speaking of our internet presence, in the next few weeks check back at the website for long awaited updates to the “About Us” and “Past Productions” pages. Molly and I are hunkering down next week to get the website all shiny and new for 2014!

Thanks, all! Stay warm out there.

-Jess

Things completed and things beginning at GTTP…

On November 3rd GTTP completed two kinda big deal things – one personal and one business – but both had an effect on who GTTP is as a company.

In the interest of full disclosure, the time shown in the picture was the elapsed time from the first gun. My wave start time was about an hour and 15 minutes after the first gun.

The personal first – Yours truly (aka, GTTP Artistic Director, Jessica Ammirati) ran the New York City Marathon. As many of you know, I was supposed to run it last year before Hurricane Sandy put a damper on those plans, and after that experience I wrote about “Art and Sports and the things they Share” and, as my facebook peeps know, I already wrote a blog post about the experience of running it this year which you can see both on my personal FB page and on the ING NYC Marathon page; BUT, in this particular post, I’d like to just mention a word about perserverance. As in: have it, believe in it, keep doing it (whatever “it” may be). You see, #1 – I don’t really like running. No, I swear. I’ve been training off and on for this marathon for 13 years (yes I said years! And, though much of it was the “off” part of off and on, for the past two years it was serious running-5-days-a-week training) and I DON’T ENJOY RUNNING. I enjoy having done the run. I enjoy that when I’m running I can eat pretty much whatever I want and I won’t really gain weight. I enjoy the way my body looks and feels because of the run. But I kinda HATE the actual run. I keep waiting for that runners’ high to kick in…uh, I’m still kinda waiting. And, #2 – I’m a slow runner – I’m from hearty Italian peasant stock so though I can keep going, I can’t really get there fast. At my fastest (which was the middle 2-13 miles of the marathon), I was running about an 11 minute and 26 second mile. So, you know, not nothing but not exactly record breaking speed. And then, after mile 13 I slowed down a bit, and from 13-21 I ran about a 12 minute mile. And then I slowed down A LOT for the last 5.2 miles. The entire thing took me 5 hours and 46 minutes (and 18 seconds) to complete. A long time. I mean, it was under the 6 hour goal I had set for myself but still longer than the 5 hour and 30 minute goal I had really hoped for. But here’s the thing – it was awesome! I mean it. The run, the marathon, the experience? The FIVE HOURS AND FORTY SIX MINUTES (and 18 seconds) OF SUSTAINED PHYSICAL ACTIVITY?!?!? It was amazing. Hands down, freaking awesome, once-in-a-lifetime kinda thing here. So, I guess what I’m trying to say is (and I know it’s been said before much more eloquently than this but here goes): It’s worth it. Persevere. Keep pushing. Go after your dreams or goals or things you forsee for yourself. Or whatever you want to call it because most of the time it’s going to pay off. It can’t not. Not after you’ve put in all that time, work, energy, thought. 13 years ago, I had this wacky idea – “maybe I’ll run the NYC marathon” but more than that I had this thought – “I want to have this experience because I think this experience will mean something to me, will shape me in a certain way, will have an effect on the person I am.” And so I decided to pursue it. And, like I said, it was seriously off and on. There are whole years in there where I didn’t lace up a sneaker…but in the end, I had the experience I did because I wanted to do it, I prepared to do it, I pushed to do it. I persevered. And I did it. I did “___________” (YOU fill in that blank for you) and it was SOOOOOO worth it. When I was 10 years old, I had a similar thought, goal, dream, what have you – “I want to be a director” (it was actually when I was 6 that I first thought it but it wasn’t until I was 10 that I began to understand the thing I wanted to be and do was the job of a director). So, here I am 30 years later. GTTP is fives years strong and I’m doing this thing – this hard, exciting, scary, challenging, wonderful, life-changing thing. So I guess my whole point is…perseverence is cool, and I truly believe that, like gravity, it always works…

…and sometimes, that personal perseverance connects with someone else’s personal perseverance and you end up with a business accomplishment…which, of course, brings me to…

Luke Wise and Jill Rittinger in a scene from THE SANDMAN’S COMING.

The business thing that happened on November 3rd:

GTTP’s Managing Director, Molly Ballerstein, completed the run of her first GTTP show, The Sandman’s Coming. Slowly this company that I envisioned in my living room 6 years ago is starting to grow into it’s future shape. You see, I never planned for GTTP to stay my baby. I always wanted a partner.

Lantie Tom as The Heroine in THE SANDMAN’S COMING.

I was always hoping to find someone who would want to direct shows and help guide the company into the future with me. Yes, I want to direct but I want to direct as part of a family of artists, not out there on my own. And, with The Sandman’s Coming, GTTP has taken that first step into a new world. A world of LOTS of people’s ideas instead of just mine. A world of exploration, of partnerships and who knows what else. It’s an exciting step for us to take and an exciting way to do it. Because, guys? Seriously? Sandman was extraordinary. A movement theater piece that explored the nature of addiction, identity and human connection. That looked at addiction not in a sensationalistic way but asked instead, what do we do-how do we deal with additction when it isn’t sensationalistic? When it isn’t glamorous or tragic? When it is just a part of everday life – ugly, complicated, terrifying and banal – ordinary everyday life? Haunting and evocative, beautiful and moving, painful and transformative, this show stays with you long after the lights go down. Take a gander at a couple of the production stills above. We have more that we’ll be posting on the website shortly. The Sandman’s Coming was a truly powerful experience. And proof that GTTP is so lucky to have snatched up Molly as soon as we found her.

So that’s what we’ve just completed. Now, as Jed Barlet would say, “what’s next?” (Y’all knew I was a West Wing fan, right?) Because, in the end, you have to keep moving forward…ALWAYS. And moving forward we are with a couple of rather exciting events.

First Up:

Cat Lady Without A Cat

That’s right. Once again GTTP is co-producing Carrie Keskinen’s hilarious one woman show - “A hilarious and heartfelt story of one woman’s journey from a painful divorce to her new life in New York. Finding a dead mouse in her apartment is the catalyst for letting go of her past and fears of becoming a crazy cat lady, and discovering her true self.” And this time around GTTP peeps aren’t just on the producing side. This time around, I’m Assistant Directing the show and Molly is Stage Managing. Because the show’s first performance was sold out United Solo Festival, decided to extend and add a second show. Join us on Saturday, November 23rd at 4pm for the additional show. The performance is at The Studio Theatre at Theatre Row, 410 West 42nd Street by 9th Avenue. Details and tickets available here.

 

December Benefit – GTTP talks SEX!

We’re currently planning our December Benefit – GTTP talks Sex! Ha, ha! Now you’re paying attention? Details to follow but for now, save the date – Before you head out of the city for your holiday festivities, we hope you’ll join us on December 20th at Shetler Studios for an evening of storytelling with the Tahitians.

Within Arm’s Reach in March

Molly and I are currently finishing the  stage adaptation of Ann Napolitano’s beautiful novel, Within Arm’s Reach. From Library Journal (Starred Review) – “Narrated in six different voices, this stunning first novel explores the multigenerational dynamics of one Irish American family and exposes misunderstandings and broken relationships… Although this exquisite, skillfully written gem addresses serious issues – e.g., guilt vs. loyalty, the past vs. the present – the narrative remains hopeful and includes ample doses of humor and wit.” In the next few months you’ll be seeing a lot from us about Within Arm’s Reach. We’re settling on a performance space and a crew in the next couple of weeks and will look at holding auditions in January. The plan right now (of course dependent on things like “what space is available?”  and “how much money can we raise?”) is for a two week performance run in March. Expect trademark GTTP elements – original storytelling and innovative use of lights, sound, set, projections, costume and movement. More details to come soon. And then more and more and more…

Farm Story filming

GTTP is thrilled to make this announcement: We’re about to move into the world of film and TV production! As a director I love love love theater but from the beginning I’ve also always wanted to direct in the film and tv world as well. So, why haven’t I, you ask. Actually I have a bit – I made a music video for Camilla Ammirati’s awesome song – The Ballad of Chicken McGann (which you can see on our GTTP Youtube Page) and I made a short film of Skin Flesh Bone – but I’ve never made a full length film or television pilot for a couple of reasons. #1) As you know, although theater ain’t exactly cheap, it’s definitely cheaper than film and tv production. In the past, thanks to all of you, we’ve been able to raise the budgets for plays but the starting budget for a television pilot episode is exponentially higher than your average low-budget theater production. So, we haven’t jumped in before. #2) I knew that raising the money for and actually filming a television pilot would take a LOT of my time – as in – all of it. And I didn’t want to abandon theater production while I went off to spend all of my time on a television show. #3) I’m not a writer. Though I’m a decent interpretive artist, I’m not exactly good with the creative writing thing. And so, I’ve never had a script that made sense as the first episode of a television show. BUT NOW – all three of those things have changed. (Actually #3 and #2 changed and that made me willing to jump in and change #1). So #3 changed with the entracnce of  Terri Viani, a dear screenwriting friend of mine. She has written an amazing script for the pilot episode of a television series called Farm Story. As you know from previous blog posts we now have Molly on board so there went #2. She will spearhead the theater stuff while I flit off to film Farm Story (see the next paragraph for more details on that). And so, we’re ready to jump into #1 – the money. Going to Tahiti Productions will coproduce the television show with Terri’s company, The Writer, Ink Productions and I will direct Farm Story. All that being said, GTTP’s official involvement in Farm Story won’t really heat up until Within Arm’s Reach is nearing completion but, if you’d like to follow the progress of independent television production (a formerly unheard of field that, with the advent of the internet  and inexpensive (but high quality) film/video technology, is now becoming more common), check out our Farm Story blog here. As of right now, (and, of course, dependent on fundraising) we are planning to film in New York and Virginia in late June/early July of 2014. Although we are THRILLED to be taking this step, as I said, this doesn’t mean that GTTP will stop doing theater. While I’m off rehearsing and filming the first episode of Farm Story, Molly will be here running GTTP and working on her own show…

Commissioned show

…which brings me to another GTTP first – it’s an exciting 5th Anniversary year for GTTP! For the first time GTTP is commissioning a show. (We’ve hit the big time now, kids!) Molly is currently in discussions with a playwright friend to write a collaborative movement/theater piece that will feature original music and will hopefully run around the same time that I’m off filming Farm Story - so, late June/early July.

Workshops, classes and readings oh my!

And, last but not least – we were so excited about our last round of workshops and classes that we’re going to do it again. Stay tuned in January for class and workshop announcements. We’re also planning to launch our reading series starting in the new year.

We hope to see you at one of the many upcoming events as GTTP heads into the second half of our 5th anniversary season.

Happy Birthday to Molly and Jess…

Workshops and Seminars and Classes, oh my!

When Molly came on board as GTTP’s Co-Managing Director/Co-Executive Producer, we sat down and started planning the 2013-14 season. We knew that right out of the gate we wanted to do something new, something different, and something that would change the Tahiti Status Quo and one of the first things we talked about were the workshops/classes/seminars I’ve wanted to jump into since I first started this whole theater thing. After all, I’m the daughter of two teachers, there’s no way teaching isn’t in my blood. BUT, the thought of it was a bit daunting – how do you plan a workshop? where would we do it? what if no one showed up? So, we did the only thing we could think of – ignore that “Doubting Thomas Voice” and just jump in. BTW, the answer to those three questions are as follows:

1) You just do it – decide what you want to say and teach, and then plan a curriculum that says and teaches it.

2) We’ll do it at Shetler Studios – after all, we have this lovely performance space that we are currently using for performances only in the evenings (except for our weekend matinees)…perhaps we should capitalize on that fact and use the space during the day as well.

3) We’ll figure they just haven’t found us yet and do the workshops again in a few weeks…undaunted is truly the ONLY way to do independent theater in NYC.

And then we realized that the week we wanted to do the workshops – the full week between the opening and closing of The Sandman’s Coming (oh, have you bought your tickets yet?) is the week between my and Molly’s birthdays* – that’s right, folks, we now have two, count ‘em TWO Scorpios running this thing. So, as a little birthday celebration, we have planned 3 very exciting workshops:

Workshop

On Tuesday, October 29th, from 2-5pm we’ll be hosting an Improv Workshop for Actors and Non-Actors Alike. What makes this workshop really special to GTTP is that it’s being run by Improv Guru, Brett Wean. Now, many of you may not know Brett specifically but if you saw Full Disclosure by Ruth McKee, when we did that back in 2011, you saw some of his work. As a director, I find improvisation to be an invaluable tool in helping actors find their performances and when we did Full Disclosure, I brought Brett in specifically to work with Kiwi Callahan and help her find the world of Sunny Smith. Without him Full Disclosure would have been a VERY different show. And, one of the things I realized when I watched Brett and Kiwi work is that Improv is great for performance, yes, but it is also great for everyday life…and, if you don’t believe me, perhaps you’ll believe Tina Fey. Anywho, the point is, Improv workshop is happening. Join us. For tickets go to: eventbrite or our Shows and Events Page.

Seminar

On Wednesday, October 30th, from 10:30am-5:30pm Molly and I will be running an all day seminar that is very close to my heart. Targeted to Early Career Directors – Directing in NY is truly the seminar I wish I could have taken way back when…when I first moved to NY and started directing here. The goal of the seminar is to give a kind of overview of everything you’ll need to know to direct a show in NY – from the producing side – finding a space, following a budget, using the Actors’ Equity Showcase code; to communicating with your design team and crew –  directing may be a solitary job but you really can’t do it alone; to straight-up directing techniques – how do you analyze a scene, is improv helpful (spoiler alert – uh, yeah. see the paragraph above this one), how exactly do you direct? It should be a fun time and, at $175 for the day, for an all day seminar with lunch included, you know it’s a great deal. For tickets go to eventbrite or our Shows and Events Page.

Class

And then, on Thursday, October 31st, from 1-4pm (early enough for people to have time to go home and get into their Halloween costumes), we’re holding an Audition Class – Auditioning for Women. Seeing as GTTP is all about giving more opportunities for women in theater, it seemed appropriate to tailor a class around the women who obtain those “more opportunities”. And, don’t get me wrong, it’s not like women cast all that differently from men, but I do think there are some tips that actors would be interested in when approaching an audition.  In fact, I’ll give one away now for free – don’t call me girl. I know, it seems straightforward, and kinda obvious but I’ve lost count of the number of actors (all younger than me) who’ve said in an audition, “you girls might want to check it out” thereby insuring that, you know, I will never check it out. So, yeah, that’s a freebie, but there are some other great tips we’ll be covering in the Audition workshop. For tickets go to: eventbrite or our Shows and Events Page.

Oh My!

We hope to see you there and, of course, all proceeds from the workshops go to our continued production of quality Independent NY Theater. So, join us for a workshop, learn a little something, support GTTP and who knows where else it might lead…

*by the by, there will, most likely, be cake.